A comparison of the ways in

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A comparison of the ways in

Perhaps more than any other method tested, the spaced pair approach requires care to avoid phasing problems. The wavelength of a Hz tone is about 33 inches. If one of a pair of haphazardly-placed OH mics is The easiest way to avoid screwing up the snare sound with phasing problems is to put the two capsules of the spaced pair at equal distances from the center of the snare head.

This has the added benefit of centering the snare in the stereo image, which is most likely where you want it anyway. To be fair, this arrangement may well introduce phasing problems with the kick or toms, which is why the OH mic position should always be tested before recording.

In practice, I see engineers worrying more about the distance from the snare than the distance between the mics. Use your ears and a tape measure too. Adjust the OH position with an ear toward your final mix.

I recorded samples in both Cardioid and Omnidirectional modes. The Cardioid clip gives a wide stereo image. The hi-hat is firmly on the left. The tom fill has some movement, although it seems to start in the middle move to the right. The panning of close tom mics could of course alter this perception.

I like the sound of the Cardioid pair; the drums retain their presence without losing the sound of the room. I can hear the space, but I can hear the drums too. In Omni, the mics bring in more of the sound of the room, but not so much as in XY. This is probably a result of the fact that in XY, the mics were mostly pointing past the drums.

The sound of this track grew on me over repeated listenings. The drums sound big, but not excessively boomy. Mid-Side The following two clips are of the same performance; the only difference is a mix-time gain change.But before you start blogging, you need to select first the best blogging platform to create and host your blog on the internet..

A comparison of the ways in

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A comparison of the ways in

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Comparing overhead drum miking techniques | recording hacks